Mozart - Don Giovanni / Kreizberg, Cachemaille, Glyndebourne Festival Opera | Movie By Genre10/10/2016 Mozart Glyndebourne 5. He owned a fine Tudor and. Jacobean pile in the lovely Sussex countryside. Something. of an opera aficionado, and not without a secure financial inheritance. Audrey Mildmay. a beautiful Canadian soprano. They honeymooned in Salzburg and. Bayreuth. The idea of establishing an English Bayreuth grew in. Strangely. given his liking for Bayreuth, the rise of Hitler, a regular visitor. Wagner shrine, and his anti- Semitic ideologies enabled. Christie to sign up three significant refugees from Germany. They. were to provide the creative backbone and expertise to bring his. This 1995 Glyndebourne Festival Opera production uses an orchestra of period instruments but modern costumes. Scenery is virtually nonexistent, lighting is garish, without fine nuances; the title character, excellently. Glyndebourne Festival Opera: Don Giovanni. Wolfgang Amadeus Mozart's two act opera gets a modern makeover in this stage performance starring Gilles Cachemaille in the role of Don Giovanni and featuring Yakov Kreizberg. The three were the conductor, Fritz Busch. Carl Ebert and the impresario and administrator. Rudolf Bing. This trio combined to launch Christie. On a similar basis wood was to be. Given. that no new opera house had been built in England since the. Glyndebourne in 1. The new Opera House opened on budget on 2. May 1. 99. 4, the sixtieth anniversary of the original opening. Bernard Haitink, the then musical. Glyndebourne Festival, conducted it. Don Giovanni geht von der Gattung der Opera buffa aus. Programmbuch der Salzburger Festspiele 1995 . Don Giovanni, Glyndebourne Festival 1995.Glyndebourne Festival/Yakov Kreizberg. Donose/Lindenstrand/Perriers/Glyndebourne Festival Chorus/London Philharmonic/Pritchard. Hollweg/Schmidt/Yakar/Palmer/Equilez/Choir of the Opera House Zurich/Mozart Orchestra/Harnoncourt. Many. of the productions and casts from the Glyndebourne Festival. Mozart operas featured in this Glyndebourne collection. Count Almaviva - Andreas Schmidt (baritone). Cherubino - Marie- Ange. Information about Gentry Gorg from California and Hawaii. Profile Photos, Address History, Phone Numbers, Relatives, Education. Mozart Don Giovanni Kreizberg Cachemaille Glyndebourne Festival Opera cheapest prices and. Todorovitch (mezzo); Marcellina - Wendy Hillhouse (soprano). Don Basilo - Robert Tear (tenor); Don Bartolo - Manfred Rohrl. Barbarina . The principals. Gerald Finley. Andreas. Schmidt is a chubby- cheeked and appropriately humourless and. Count (CH. 4. 3). Nonetheless. her pure lyric soprano, caressing the phrases in Porgi. ![]() CH. 2. 2) and Dove sono (CH. Kiri Te Kanawa twenty years or so before. Of the lesser parts Robert Tear. The stage direction by Stephen Medcalf is well realised. ![]() The sound is. a little flat and certainly later recorded performances from. There is generous applause. DVD 2 Don Giovanni - Dramma giocoso in. K5. 27 (1. 78. 7) Don Giovanni - Gilles Cachemaille (baritone); Leporello - . ![]() Stephen Page (bass); Don Ottavio - John Mark Ainsley (tenor). Masetto - Roberto Scaltriti (baritone); Anna - Hillevi Martinpelto. Elvira - Adrianne Pieczonka (soprano); Zerlina. Juliane Banse (soprano); Commendatore - Gudjon Oskarsson. Orchestra of the Age of Enlightenment/Yakov Kreizberg. Director. Deborah Warner; Set designer: Hildegard Bechtler. Costume. design: Hildegard Bechtler and Nicky Gillibrand. Dolby Digital 2. 0 Stereo / Dolby Digital 5. ![]() Surround B. Subtitles in English, French, German, Italian, Spanish, Japanese. In 1. 99. 0 Sir Peter Hall resigned as Artistic Director. Glyndebourne. Various avant- garde. Filmed in the year following. Don Giovanni in. twentieth century dress. The set is very basic and comprises a. Suspended by hawsers at each. There. is often little else except the words to indicate what or where. There are attempts at lighting. The singing is variable. Stephen. Page. Gilles Cachemaille. Don Giovanni appears first in a balaclava and has a half struggle. Anna. Whilst his lighter- toned. Leporello, it makes their exchange. Or, perhaps this is intended to be. Leporello who puts on a silly white wig as Masetto arrives. Don Giovanni. Roberto. Scaltriti. Perhaps. Il mio Tesoro (CH. Certainly there. is no doubt about the visit to the graveyard (CH. The. statue of the Commendatore walks about whilst Don Giovanni. He then. steals a statuette of the Madonna, and leaves. The hawsers. lift the inner stage, which becomes Don Giovanni. As he tries to deny Leporello. Likewise. wine, which pours all down the Madonna. Don Giovanni. then throws the statue to the floor, and mounts it! Yes, Don. Giovanni is a sexual libertine, but the only word for this. I was thankful the statuette was not a Madonna and Child. The tall Juliane. Banse as Zerlina does her best to invest some feeling into. Masetto (CH. The ultimate updated silliness comes. Don Giovanni. I have seen this scene, which can be. It is wholly. dependent on its corporate sponsors and putting bums on seats. For me. this staging and performance of Don Giovanni is among. I have seen live or on DVD. I have seen some rather bizarre stagings. However, I must also note that the top dollar. I was. Subtitles in English, German, Spanish. Japanese rec. The Figaro. The. Don Giovanni of the following year as I have noted. Coming to this Idomeneo was something. It is a film of the. Glyndebourne production that marked the operatic debut of. Trevor Nunn. Being a film there. The film director uses many facets. All. of this makes demands upon the singers to convey the meaning. In this there are variable results, some. I outline below. Mozart composed Idomeneo. Zaide and Die Entf. It is firmly an opera seria and based. Greek legend. This was a genre that the composer did not. La Clemenza di Tito. This reversion is explained. Vienna Court at the time. In. consequence it consists of static vocal showpieces preceded. This, like the filming, has serious consequences. In 1. 98. 3 Glyndebourne was a traditional. That is not to imply that the production styles were. Peter Hall as Director. Productions. But there were no way out avant- garde. It was the operatic debut of Trevor Nunn. The. sets and costumes are firmly in Minoan Crete. The sets are. relatively simple, realistic when needed, and wholly appropriate. CH. 1. 6) and the. Neptune (CH. 2. 4). Although stretched vocally at times (CH. His face, in the many close- ups, always reflects the. In this respect. he is matched by the Electra of Carol Vaness, whose biting. As Ilia, daughter of the Greek King Agamemnon, enemy. Idomeneo, Yvonne Kenny looks a little old for the lover. Idamante. She often fails to reflect the drama of the words. CH. 2, 1. 7). As Idamante, the spurned son of. Idomeneo, Jerry Hadley is altogether more problematic in features. His tenor has a hard edge and his over- youthful. CH. 7) and ultimate. CHs. The role. was written for a mezzo- soprano en travesti and that. Glyndebourne staged the. British performances of the work in an earlier production. Although Mozart made many. I am not aware of any being. I am surprised that Bernard Haitink, who conducts. London Philharmonic in a well- paced and idiomatic account.
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